120years.net Report : Visit Site


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    The main IP address: 83.167.180.132,Your server United Kingdom,London ISP:Awellconnected.com  TLD:net CountryCode:GB

    The description :the history of electronic music from 1800 to 2015...

    This report updates in 30-Jul-2018

Created Date:2008-07-23
Changed Date:2017-07-08
Expires Date:2019-07-23

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skip to content 120 years of electronic music the history of electronic music from 1800 to 2015 menu and widgets recent updates the 'wave organ'. frank morse robb. canada. 1927 the 'composer-tron' osmond kendall. canada, 1951 bell labs hal alles synthesiser, hall alles, usa, 1976. the 'novachord' laurens hammond, john hanert & c.n.williams. usa, 1939 the 'syn-ket' (or 'synthesiser-ketoff'). paolo ketoff & john eaton, italy. 1963. 'graphic 1' william h. ninke, carl christensen, henry s. mcdonald and max mathews. usa, 1965 'hanert electric orchestra' john m hanert, usa, 1945 the 'ondium péchadre' henri camille robert péchadre. france, 1929 the 'audion piano' and audio oscillator. lee de forest. usa, 1915 pre 1800 1748: denis d’or 1759: clavecin électrique 1785: clavecin magnetique 1800 – 1900 1867: electromechanical piano 1876: musical telegraph 1897: telharmonium 1899: singing arc 1900 – 1920 1905: helmholtz sound synthesiser. 1909: choralcelo 1915: audion piano 1912: sound-producing device 1914: wireless organ 1916: optophonic piano 1918: synthetic tone 1920 – 1930 1921: electrophon 1921: hugoniot organ 1922: theremin 1923: staccatone 1924: sphäraphon 1925: radio harmonium 1926: pianorad 1926: keyboard electric harmonium 1926: kurbelsphärophon 1927: dynaphone 1927: cellulophone 1927: clavier à lampes 1927: electronde 1927: robb wave organ 1927: superpiano 1927: neo violena 1928: ondes-martenot 1929: orgue des ondes 1928: klaviatursphäraphon 1929: croix sonore 1929: hellertion & heliophon 1930 – 1940 1930: coupleux-givelet organ 1930: rhythmicon 1930: ondium péchadre 1930: graphical soundtrack 1930: partiturophon 1930: trautonium 1930: hardy-goldthwaite organ 1930: westinghouse organ 1931: nivotone 1930: keyboard theremin 1930: magneton 1931: radio organ of a trillion tones, polytone organ & singing keyboard 1931: saraga-generator 1932: vibroexponator 1932: variophone 1932: emicon 1932: rangertone organ 1932: terpsitone 1932: gnome 1932: electrone 1933: electrochord & kdf grösstonorgel 1934: syntronic organ & photona 1934: aetherwellengeige 1934: singing keyboard 1935: hammond organ 1936: sonothèque 1935: marimbalite 1936: welte licht-ton-orgel 1936: companola 1936: mixturtrautonium 1937: melodium 1937: oscillon 1937: warbo formant orgel 1937: ekvodin 1939: novachord 1939: kaleidophon 1940 – 1950 1940: ondioline 1940: multimonica 1940: voder & vocoder 1940: solovox 1940: univox 1943: emiriton 1945: hanert electric orchestra 1945: thyratone 1945: electronic sackbut 1946: minshall organ 1946: tuttivox 1946: baldwin organ 1947: melochord 1950–1960 1950: electronium 1950: lipp pianoline 1951: rca synthesiser i & ii 1951: csir mk1 & csirac 1951: dr kent’s electronic music box 1951: chamberlin 1951: ferranti mk1 1951: wobble organ 1951: grm 1951: wdr electronic music studio 1952:clavivox 1953: composer-tron 1955: rai studio 1955: fotosonor 1957: music n 1957: ans synthesiser 1958: fonosynth 1959: oramics 1959: sound processor 1959: siemens synthesiser 1959: wurlitzer side man 1960–1970 1961: dimi & helsinki electronic music studio 1963: mellotron & novatron 1963: akaphon 1963: syn-ket 1964: beauchamp synthesise 1964: moog synthesisers 1965: graphic 1 1966: tubon 1966: coupigny synthesiser 1967: stylophone 1967: musys 1969: ems synthesisers 1970 – 1980 1970: subharchord 1970: archifooon 1970: buchla synthesisers 1970: arp synthesisers 1971: allen computer organ 1971: triadex muse 1972: qasar i,ii & m8 1972: motorola scalatron 1976: hal alles synthesiser 1977: synclavier i & ii 1977: con brio ads 1977: samson box 1977: upic system 1977: dmx-1000 1979: fairlight cmi 1980-1990 1981: sogitec 4x 1981: yamaha gs1& gs2 search for: tags analog synthesiser (12) analogue sample (3) armand givelet (3) australia (2) canada (3) computer (10) computer music (4) david bowie (2) digital synthesiser (9) dr freidrich trautwein (3) early electronic music (4) electro-mechanical (2) electronic instrument (3) electronic music (10) electronic music studio (5) electronic musical instrument (6) film soundtrack (2) france (9) germany (23) graphic synthesiser (4) groove system (2) harald bode (7) heterodyning (10) john m hanert (4) jörg mager (3) laurens hammond (3) leon termen (5) max mathews (4) mellotron (2) modular synthesiser (4) nasa (3) optical synthesis (3) organ (3) oskar vierling (4) photoelectric (16) russia (17) sampler (2) telharmonium (3) theremin (4) tone wheel (10) transistor (10) united kingdom (9) usa (34) vacuum tube (57) winston e. kock (4) subscribe via email enter your email address to subscribe and receive notifications of new posts by email. email address introduction 120 years of electronic music. 120 years of electronic music * is a project that outlines and analyses the history and development of electronic musical instruments from around 1880 onwards. this project defines ‘electronic musical instrument’ as an instruments that generate sounds from a purely electronic source rather than electro-mechanically or electro-acoustically (however the boundaries of this definition do become blurred with, say, tone wheel generators and tape manipulation of the musique concrète era). donate! '120 years of electronic music' has always been and hopefully always will be a free and open resource. the site has been hosted for free for many years by spc london ; please consider a donation towards the hosting costs to keep this project free for everyone: thank you! simon crab – 120 years of electronic music the focus of this project is in exploring the main themes of electronic instrument design and development previous to 1970 (and therefore isn’t intended as an exhaustive list of recent commercial synthesisers or software packages.) as well as creating a free, encyclopaedic, pedagogical resource on the history of electronic music (and an interesting list for synthesiser geeks) my main interest is to expose and explore musical, cultural and political narratives within the historical structure and to analyse the successes and failures of the electronic music ‘project’, for example; modes of interaction for performers and composers: atonality and just intonation as a theme in instrument design. the ideas put forward in ferrucio busoni’s ‘sketch of a new aesthetic of music’ (1907) inspired a generation of composers to explore micro-tonal and varied intonation and hermann von helmholtz’s ‘on the sensations of tone’ (1863) provided an understanding of the physics of sound suggesting the possibility of creating an unlimited palette of tones and shapes beyond the restriction of traditional instrumentation. this lead directly to the design of several new instrument; thadeus cahill’s telharmonium (1897) and jörg mager’s sphäraphon (1920s) amongst many other, that explored new forms of interaction freeing the composer and musician from the ‘tyranny’ of the fixed tempered piano keyboard (which at the beginning of electronic music instrument design was a fairly recent standard). though this experiment was ultimately doomed due to commercial pressure on instrument designers to provide simulations of existing instruments on a fixed tempered scale for popular music, the concept survived into the 1960s in ‘serious’ experimental music with the era of the electronic music studio; grm , milan , wdr, columbia-princeton electronic music center etc. and even moog (in the original instruments) and buchla’s modular synthesisers. more recently interest in atonality and non-manual control has re-surfaced with software synthesis and audio computer languages. new composition tools: musician-free composition as well as developing new physical interface models another channel of exploration was to use electronic musical instruments to free the composer from problems associated with performers and performance; removing the musician from the process of musical production allowing the composer to create pure unadulterated music concepts. when this wa

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Domain Name: 120YEARS.NET
Registry Domain ID: 1509850508_DOMAIN_NET-VRSN
Registrar WHOIS Server: whois.meshdigital.com
Registrar URL: http://www.domainbox.com
Updated Date: 2017-07-08T00:00:00Z
Creation Date: 2008-07-23T00:00:00Z
Registrar Registration Expiration Date: 2019-07-23T00:00:00Z
Registrar: MESH DIGITAL LIMITED
Registrar IANA ID: 1390
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: +1.8779770099
Reseller: Paragon Internet Group Ltd (Daily)
Domain Status: clientDeleteProhibited https://icann.org/epp#clientDeleteProhibited
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Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Registry Registrant ID:
Registrant Name: Simon Crab
Registrant Organization: Simon Crab
Registrant Street: 18 Lyndhurst Rd
Registrant Street: London
Registrant City: London
Registrant State/Province: London
Registrant Postal Code: NW3 5NL
Registrant Country: GB
Registrant Phone: +44.7947624376
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Registrant Email: [email protected]
Registry Admin ID:
Admin Name: Simon Crab
Admin Organization: Simon Crab
Admin Street: 18 Lyndhurst Rd
Admin Street: London
Admin City: London
Admin State/Province: London
Admin Postal Code: NW3 5NL
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Tech Organization: Simon Crab
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Tech Street: London
Tech City: London
Tech State/Province: London
Tech Postal Code: NW3 5NL
Tech Country: GB
Tech Phone: +44.7947624376
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  NS.AWELLCONNECTED.NET 83.167.180.132

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